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| An early picture from 2012 |
Apart from Daniel, the others all went to school together, but Stephen and Joel didn't hang around with Josh because he was a goth! Their band name is derived from a Ghanaian myth meaning to reach back into the past and bring something into the present. At The Kazimier in 2015 music blog Getintothis were there, "we have little time to draw breath before the garage rock anthems of 'Sankofa' start to ring out. The band have changed since I last saw them, they play with more bite. Not necessarily heavier, but with the fuzz pedals in full flow, heads start to nod as for the first time in the night a band is conceivably loud. This is a band with incredible song-writing ability, they move with ease throughout the set, equal parts indie pop and early black rebel motorcycle club. Drummer Josh Perry’s stick work is incredibly impressive as the quartet, burned through the set. As vocalist Stephen Walls sister joins them onstage for the final few tracks of the night, they close with another array of guitar pop mastery set to make them firm favourites for everyone in attendance. It felt like the set was over far to quick as they took little time to rest or recover, don’t blink or you’ll have missed your favourite song, don’t pop outside or the set will be over. An insanely powerful punk rock work ethic displayed by such an incredible emerging artist."
Their last single was 'Into The Wild' in 2017 and was reviewed, "Intoxicatingly beckoned by their satanic majesties into the subterranean, the bewitching new single from the reputable morbidly curious Liverpool band Sankofa, 'Into The Wild', is a sassy, knowing two-geared esoteric augur. Following hot on the heels of their last, and equally daemonic psych single, 'All The While', ahead of the band’s debut album (released later this year), this entrancing incandescent liquid lightshow video adorned doom-monger shifts from a malady of Crime And The City Solution style tremolo twanged gothic country, The Doors and The Creeps, to a final unyielding, heavy rock guitar crescendo. In case you missed the subtle hints and miasma, both sonically and lyrically, the cover art can’t help but give you nightmares, alluding as it does to very real metaphors of puritanical regimes and their witch-hunts." - Monolith Cocktail.
see also:- http://www.thefootballvoice.com/2023/07/pool-of-sound-megan-louise.html



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